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The three astonishingly beautiful women on this album's disturbing cover have faces that turn out, on closer inspection, to be horribly disfigured, and the album's "concept" is the two faces women show to men (or that men thing women show to men). Stephen Holden, Rolling Stone, 12-13-79. And how much more human can you get than a concept album, concerned with sex? Though Eve offers plenty of sonic grandeur - the forceful melody of "Damned if I Do," the Beach Boys-like vocal harmonies in "Secret Garden" - the lyrics are almost clumsy and sententious enough to give sex a bad name.Įve will make a good demo record for audio equipment. But the more human the theme, the more inappropriate such a style becomes. On 1977's witty I Robot, the Alan Parsons Project's bombastic and synthesized orchestral pop rock proved to be a nifty idiom for exploring man-machine myths. When it's finally Woman's turn to reply - Woman gets only two cuts to Man's four - she's made to whine about being lonely. That about sums up Eve's sexual politics. "You lie down with dogs, you get up with fleas," spits another. "I'd rather be a man than sin my soul like you do," announces David Paton, playing one of the LP's four male accusers.
#Alan parsons project best album archive
In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.ĭome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.The year's silliest record by a best-selling act, Eve purports to be a song cycle evoking Woman, yet the portrait thrown up by this 3-D space-rock oratorio is some whory Victorian witch in a leather headdress flicking her garter belt and hissing curses. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. He would later become a founding member of RAW rock magazine in 1988. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. We are the quintessential band that even our biggest fans wouldn’t recognise in the street.” We were still anonymous, and very happy to be so.
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So, having a big hit didn’t change anything. I think Ian framed the cheque! But the fans embraced the song, and the record label loved the fact we could have a hit, despite our seemingly low profile.” Alan paid up when he knew it was going to be successful. He famously bet guitarist Ian Bairnson that it would be a huge flop as a single. I had to fight him all the way to record this, and even then he was convinced we had made a huge mistake. “The strongest reaction was from Alan Parsons. That was also referred to as an ‘eye in the sky’, and I thought it would make a good subject for a song.” But it crystallised in my mind when I was shown the security system at the Tropicana Hotel in Las Vegas. Stations had their ‘eye in the sky’ covering all sorts of events, from cop car chases to the weather report. “At the time, everywhere you looked in America that phrase was being used. Where did the inspiration for Eye In The Sky come from?